Memory, from the Arabic khâter, what the mind keeps. The song opens on the word as a threat: khodet mikhây beri khâtereh shi, you want to leave and become a khâtereh, a person turned into what remains of them.

The heart as Persian feels it. Ghalb is the organ; del is the seat of feeling, and this lyric runs on its compounds. Delet misoozeh, your del burns, is how Persian says you feel pity. Delshooreh, the del churning, is the worry the chorus carries: delshooreh dâram man vâseh fardâ-ye to, I worry about your tomorrow.

A person, one, anyone; the word is Adam's name become a noun. Persian reaches for it where English says people in general: âdam dam-e raftan hamash delshooreh migireh, one gets anxious at the moment of leaving. The singer's worry widens to everyone's.

Fear, the noun of tarsidan, to be afraid. The song uses both of its faces: natars, don't be afraid, opens a verse as comfort, and tarset nemizâreh, your fear won't let you, closes one as the reason the leaver is still here.

At ease, comfortable, an Arabic loanword worn smooth by daily use. The chorus hands it over as permission: râhat bâsh, be at ease. The last verse turns it into an exit: râhat boro, go comfortably, said twice. Comfort is what the song offers the one who is leaving.