Do Panjereh

Do Panjereh

Googoosh

Googoosh

Two windows in one stone wall. A love that stays alive only as long as it stays captive.

Two windows in one stone wall. A love that stays alive only as long as it stays captive.

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Lyrics & Translation

English

Romanized

فارسی

English translation of the lyrics for meaning and comprehension

In one stone wall

two windows are held captive

two tired ones, two lonely ones

one of them you, one of them me

The wall is stone, and it is black

stone that is cold and hard, granite

it has put a lock of silence

on our tired lips

We cannot stir

under the weight of the wall

all of the love between you and me

is a story, the story of the wall

There has always been a distance

between your hands and mine

with this same bitterness have passed

your nights and days and mine

There is no long road between us

but even this is too much

the only bond between you and me

is the kind hand of the wind

We must stay captive

we are alive as long as we are captive

for us, release is death

the moment we are freed, we die

If only this wall would fall

and you and I would die together

in another world

take each other's hands

Maybe there, inside hearts,

there is no pain of loathing

and between their windows

there is no longer a wall

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Words

پنجره

Panjereh

Window

‘Panjereh’ is a window. In Persian poetry and song it is where the one who stayed does the waiting: looking out from behind it for someone to come back, for the light to change, for something in a shut room to move. It is also the line between a person alone in a room and the cold outside it. Forough Farrokhzad named a poem after it and asked for exactly one, ‘yek panjereh barâyeh man kâfi-st’, one window is enough for me. This song has two, set in one wall, and neither can reach the other.

پنجره

Panjereh

Window

‘Panjereh’ is a window. In Persian poetry and song it is where the one who stayed does the waiting: looking out from behind it for someone to come back, for the light to change, for something in a shut room to move. It is also the line between a person alone in a room and the cold outside it. Forough Farrokhzad named a poem after it and asked for exactly one, ‘yek panjereh barâyeh man kâfi-st’, one window is enough for me. This song has two, set in one wall, and neither can reach the other.

دیوار

Divâr

Wall

‘Divâr’ is a wall. It is the only thing in the song that acts: it holds the windows captive, it locks their lips, its weight keeps them from stirring, and all the love between the two is ‘ghesseh-ye divâr’, the story of the wall. It keeps them apart, and it is also what holds them: the windows are set in it, and ‘zendeh hastim tâ asirim’, we are alive as long as we are captive. The wish at the end is for it to fall, ‘kâshki in divâr kharâb sheh’, and for a world where between windows there is no wall at all.

دیوار

Divâr

Wall

‘Divâr’ is a wall. It is the only thing in the song that acts: it holds the windows captive, it locks their lips, its weight keeps them from stirring, and all the love between the two is ‘ghesseh-ye divâr’, the story of the wall. It keeps them apart, and it is also what holds them: the windows are set in it, and ‘zendeh hastim tâ asirim’, we are alive as long as we are captive. The wish at the end is for it to fall, ‘kâshki in divâr kharâb sheh’, and for a world where between windows there is no wall at all.

خارا

Khârâ

Granite, hard rock

‘Khârâ’ is granite, or any rock that does not yield. In Persian it is the measure of hardness: ‘sang-e khârâ’ is the stone that nothing wears down, and a heart compared to it is a heart that will not be moved. The song sets it after ‘sard’ and ‘sakht’, cold and hard, and that is the wall the two windows are set in.

خارا

Khârâ

Granite, hard rock

‘Khârâ’ is granite, or any rock that does not yield. In Persian it is the measure of hardness: ‘sang-e khârâ’ is the stone that nothing wears down, and a heart compared to it is a heart that will not be moved. The song sets it after ‘sard’ and ‘sakht’, cold and hard, and that is the wall the two windows are set in.

پیوند

Peyvand

Bond, link

‘Peyvand’ is a bond, a joining, the tie between two people. The song allows the two windows exactly one, ‘tanhâ peyvand-e man o to’, the only bond between you and me, and it is the kind hand of the wind, ‘dast-e mehraboon-e bâd-e’. Nothing else crosses the wall.

پیوند

Peyvand

Bond, link

‘Peyvand’ is a bond, a joining, the tie between two people. The song allows the two windows exactly one, ‘tanhâ peyvand-e man o to’, the only bond between you and me, and it is the kind hand of the wind, ‘dast-e mehraboon-e bâd-e’. Nothing else crosses the wall.

رهایی

Rahâyi

Release, being set free

‘Rahâyi’ is release, being set free, from ‘rahâ’, let go. The song turns it inside out: ‘vâseh mâ rahâyi marg-e’, for us release is death, and ‘zendeh hastim tâ asirim’, we are alive as long as we are captive. Sarfaraz counts Do Panjereh, with Mordab and Ghalandar, among the songs he says carry a Sufi cast of thought, and the line where freedom and death become one is where it shows.

رهایی

Rahâyi

Release, being set free

‘Rahâyi’ is release, being set free, from ‘rahâ’, let go. The song turns it inside out: ‘vâseh mâ rahâyi marg-e’, for us release is death, and ‘zendeh hastim tâ asirim’, we are alive as long as we are captive. Sarfaraz counts Do Panjereh, with Mordab and Ghalandar, among the songs he says carry a Sufi cast of thought, and the line where freedom and death become one is where it shows.

سنگ

Sang

Stone

سنگ

Sang

Stone

اسیر

Asir

Captive

اسیر

Asir

Captive

خسته

Khasteh

Tired, worn

خسته

Khasteh

Tired, worn

تنها

Tanhâ

Alone

تنها

Tanhâ

Alone

سیاه

Siyâh

Black

سیاه

Siyâh

Black

قفل

Ghofl

Lock

قفل

Ghofl

Lock

بی‌صدایی

Bi-sedâyi

Silence, having no voice

بی‌صدایی

Bi-sedâyi

Silence, having no voice

لبا

Labâ

Lips, spoken plural of lab-hâ

لبا

Labâ

Lips, spoken plural of lab-hâ

سنگینی

Sangini

Weight, heaviness

سنگینی

Sangini

Weight, heaviness

عشق

Eshgh

Love

عشق

Eshgh

Love

قصه

Ghesseh

Story, tale

قصه

Ghesseh

Story, tale

فاصله

Fâseleh

Distance

فاصله

Fâseleh

Distance

تلخی

Talkhi

Bitterness

تلخی

Talkhi

Bitterness

مهربون

Mehraboon

Kind, spoken form of mehrabân

مهربون

Mehraboon

Kind, spoken form of mehrabân

باد

Bâd

Wind

باد

Bâd

Wind

مرگ

Marg

Death

مرگ

Marg

Death

خراب

Kharâb

Ruined, fallen

خراب

Kharâb

Ruined, fallen

دنیا

Donyâ

World

دنیا

Donyâ

World

بیزاری

Bizâri

Aversion, loathing

بیزاری

Bizâri

Aversion, loathing

کاشکی

Kâshki

If only

کاشکی

Kâshki

If only

Cultural Notes

Do Panjereh, Two Windows, stays inside one image. Two windows are set in a wall of black granite; the wall locks their lips, its weight keeps them from moving, and the only thing that passes between them is the wind. Then it turns: they must stay captive, because they are alive only while they are captive, and release would be death. The last wish is for the wall to fall, and for another world where between windows there are no walls.

Ardalan Sarfaraz has written that the windows were real. In 1969, newly arrived in Tehran from the countryside, he sat one night in a café at the corner of Malek Street and the old Shemiran road, and across the street, in a building close to falling down, two old windows stood side by side, near each other and, as he put it, leagues and years apart. He wrote the song there before the night was out and never changed a word; in his telling the two windows said the poem and he wrote it down. He counts it, with Mordab and Ghalandar, among his songs with a Sufi cast.

He gave the poem to Hassan Shamaizadeh with a few others before a journey, and Varoujan arranged it twice, once for Googoosh and once for Fereydoun Foroughi, whose recording was never released. Googoosh's came out in 1972, one of the seventeen songs she, Sarfaraz and Shamaizadeh made together in that decade. Varoujan died in Tehran in 1977, at forty. Shamaizadeh left Iran in February 1979, days after the revolution, and Sarfaraz in the years after it. Googoosh stayed in Iran and did not sing in public for twenty-one years, until she left in 2000. In 2017 Googoosh, Sarfaraz and Shamaizadeh went on the road together again, as the Memory Makers.

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Made with ❤️ for Farsi enthusiasts

© 2026 Learn Farsi with Songs. All Rights Reserved.

A project by Golbarg - hi@golbarg.org